《離開同方》是一本精采的長篇小說,為台灣眷村生活立碑,總結了蘇偉貞對亂離世代、四十年來社會生活之觀察與關注,結構、戲劇性張力、現實輻射面,展現卓越的布局,在格局上已臻至史詩巨構。
「當太陽落在么么拐高地腳背,你們告訴我你還想混個什麼名堂?這節骨眼兒打同方新村出來的人都知道,回家最好趕在天黑以前。」
在現實與幻想、抽象與具體的空間,記憶所能到達最遠最高的地方,以淚相應,以高音呼喚。
《離開同方》是一本精采的長篇小說,為台灣眷村生活立碑,總結了蘇偉貞對亂離世代、四十年來社會生活之觀察與關注,結構、戲劇性張力、現實輻射面,展現卓越的布局,在格局上已臻至史詩巨構。
「當太陽落在么么拐高地腳背,你們告訴我你還想混個什麼名堂?這節骨眼兒打同方新村出來的人都知道,回家最好趕在天黑以前。」
在現實與幻想、抽象與具體的空間,記憶所能到達最遠最高的地方,以淚相應,以高音呼喚。
《離開同方》是一本精采的長篇小說,為台灣眷村生活立碑,總結了蘇偉貞對亂離世代、四十年來社會生活之觀察與關注,結構、戲劇性張力、現實輻射面,展現卓越的布局,在格局上已臻至史詩巨構。
「當太陽落在么么拐高地腳背,你們告訴我你還想混個什麼名堂?這節骨眼兒打同方新村出來的人都知道,回家最好趕在天黑以前。」
在現實與幻想、抽象與具體的空間,記憶所能到達最遠最高的地方,以淚相應,以高音呼喚。
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