The Hollywood Reporter

The all-new Hollywood Reporter offers unprecedented access to the people, studios, networks and agencies that create the magic in Hollywood. Published weekly, the oversized format includes exceptional photography and rich features.

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The Hollywood Reporter

The Rise of Babygirl Cinema • For the first time in modern Oscar history, a crop of contenders dares to tangle with the complexities of aging women and sexuality

Jomo Fray: The Godfather Part II Not Getting a Cinematography Nomination in 1975

‘What You See Is What We Shot’ • The Brutalist cinematographer Lol Crawley details the fast-paced shooting schedule (34 days!) of Brady Corbet’s three-and-a-half-hour epic and which scene really thwarted him

How to Write a Movie About Prison • Sing Sing screenwriters Greg Kwedar and Clint Bentley dissect a sequence in which Colman Domingo’s Divine G reacts strongly to a parole board’s decision

THE BRUTALIST’S STEALTH WEAPON • She only shows up in the second act. But Felicity Jones changes the physics of Brady Corbet’s film with a role as fiercely researched as it is played

“I’VE NEVER SAID, ‘FUCK IT, I’LL JUST TAKE THE MONEY’” • Richard Gere revisits superstar roles, his decision to scale back, and reuniting with American Gigolo collaborator Paul Schrader for Oh, Canada

THIS TIME, HER TIME? • Alt-music hero Sky Ferreira has been in a decade-long exile after feuding with Capitol Records. The Nicole Kidman film Babygirl could change all that

KNOCKIN’ ON DYLAN’S DOOR • In his new biographical drama A Complete Unknown, James Mangold has the slipperiest of tasks: revealing Bob Dylan

Are You Afraid of the Dark? • Nosferatu DP Jarin Blaschke dissects the film’s striking opening shot

The Original Gladiator Slayed Its Oscar Competition